On September 11th, the “China Good Sofa – Designing a Big Coffee Chat†event, held at the Shanghai World Expo Exhibition and Convention Center, was planned by Shanghai Bohua International Exhibition Co., Ltd., the organizer of China International Furniture Fair, as the strategy of this event. The cooperative media reported the whole process and presented the “Software Furniture Authoritative Reporting Media†award at the event. Lai Yanan, Kong Wu, Chen Yanfei, Wen Hao, Wu Zuoguang, and Zeng Zhenyu's six design big coffees and new works were unveiled at the Shanghai World Expo Exhibition Hall “China's Good Sofas – Designing Big Coffee Chatsâ€. The six designers shared the inspiration and conveyance of the new work and interacted with the guests present. [Moderator]: Have you invited the 6 big coffees who participated in the design, and the responsible persons of the original and auxiliary materials companies who gave the designer support in this event to talk about how they are innovative? Let us solemnly ask: Ms. Lai Yanan, founder of DOMOnature, furniture brand design; Mr. Wen Hao, founder of “HAOSTYLE High China Life†brand; Mr. Kong Wu, founder of original furniture brand “Material Creationâ€; Mr. Wu Zuoguang, founder of SUREECO home brand; Mr. Chen Yanfei, founder and artistic director of the original design brand; Mr. Zeng Zhenyu, founder of the designer brand Yuemo Workshop; Mr. Lu Wenqiao, Vice President of Sales, Lectra Systems Greater China; Mr. Liu Qing, Chairman of the Special Group; Novartis Textile Co., Ltd. Manager Mr. Wang Xueqi. 100 sofa show event [host]: Please design a big coffee to briefly introduce your work. [Chen Yanfei]: This time I chose the elements of the design that I have always liked very much - the lines. The whole design style is composed of lines and a solid wood frame. The soft bag is made of gray leather and solid wood. I hope that Chinese and modern styles will coexist. Chen Yanfei's work: See the mountain [Wu Zuoguang]: My work wants to express a product full of humanity with a little oriental characteristics. There is no concept of sofa in the traditional Chinese furniture, so we now see a lot of new Chinese designs now, because we lack the time of Chinese traditional culture and industrialization, so we went to see the architecture of Anhui, the appearance is very beautiful. However, in fact, people will feel very uncomfortable after entering, because there is a lack of integration with people and industrialization and civilization, so I want to be able to do something that has Chinese style and is very comfortable, so this year came out. Two new models. My product name is "Fu". I made a rocking chair very comfortable this year. The fabric chosen is the fabric of Novartis. Thank you. Wu Zuoguang's works: Rong-Rocking Chair [Zeng Zhenyu]: The sofa with a little concept I designed is called “Crossing the Peach Blossom Sourceâ€. The following is made of steel, which is a combination of Chinese classical and modern. Why can't I design some small sofas in many public spaces? A lot of public space is plastic, it looks cold, I think it can be designed to be more beautiful, it will be more comfortable to sit down. I think what the peach blossoms feel, just put it on the buckle and it looks strange, but many girls like it very much. In our showroom, the order is also received today, so it is not too concept. s things. Another concept is that there is a concept of heating, buttocks and waist, there are some elderly people can treat small problems on the body, I used a layer of nano material to have a heating function, it is also very safe, there is a fuse inside Always keep the temperature constant. Steel and wood, its color can be selected, but the material is not white, there is a small pattern, is a bird, has a symmetrical feeling. So I designed the "crossing the peach blossom source". Zeng Zhenyu's work: Crossing Taohuayuan [Lai Yanan]: My sofa is very bright. This sofa has a little story. Because we are doing a social welfare activity initiated by Qumei, we have invited more than a dozen designers. We want to find some discarded things in life or some things that are disposed of as garbage to make new concepts. Let it be a product that can play a role in our lives, so this sofa is the sofa I found in the old warehouse of Qumei. At that time, it was so riddled that it might be because the designer had a product inspiration. At that time, I thought that the sofa was not too beautiful, but I thought it could be changed into a product that made everyone's eyes shine, so this sofa is old. The modified sofa is based on the improved products. The fabric is provided by Novartis. The fabric feels very good. When I saw it in the fabric sample, my mind quickly converted into a combination with this sofa. The whole package and cutting process was discussed by me and the master. My understanding of a good sofa is good and easy to use. Lai Yanan's work: Xinyan [Wen Hao]: The sofa I designed is there. This sofa has only a very simple idea. It is the tradition of the millennium and the future. We combine it in the middle. Is my design idea. Wen Hao's works: bobos [Kong Wu]: I always thought that a sofa is an anti-commercial sofa. Many of the sofas we saw in the mall are super large and super expensive. Few people pay attention to the living environment of the dwelling family. So I want a price in terms of price/performance ratio. On the scale, the materials are more suitable for the sofa of the dwelling family. My sofa is over there, the main fabric is Novartis, and then some Chinese traditional dyed fabrics are found. I hope that the contrast color can produce some light feeling. It is the treatment of the wood wax oil, the processing of the dyeing, and the temperature of the person who can feel it. thank you all! Kong Wu works: [Qing] sofa [host]: Thanks to the sharing of several people, I think as a support unit of this forum, Lu should have a special chat with you. Then give the host's throne to you. [Lv Wenqiao]: I am very happy to be with so many big coffee today. Design is the soul of furniture, so today there are many designers here, we also have suppliers, manufacturers, we are now more casual chat. In the discussion, I want to explore a few things. The first one is design, what kind of challenges are faced by the factory here, and how our suppliers, such as design and manufacturers, work together, we start with designers. [Zeng Zhenyu]: Because I think that the design of the sofa, especially the sofa is a large area, the block is relatively large, texture and texture are very important. Still beautiful and easy to use, but how beautiful it is. I think suppliers can get closer to the designer. Zeng Zhenyu [Lv Wenqiao]: What response does Novartis have? [Wang Xueyu]: For a supplier of fabrics, we are not very easy. First of all, we must have a certain quality to be a qualified supplier. We should have a certain artist's atmosphere, otherwise it is difficult. Communicate with the designers, secondly we have to have the precision of the engineers, we have to have the fineness of the doers, because many people do not have the concept of doing textiles. First of all, we have to get the feeling that the designers want, the communication of such things is very Important, and then combined with our own professional knowledge, whether it is the use of materials, or the combination of different production techniques can finally reflect what they want, other things I think are post-industrial, how to produce, How to reflect this is relatively easy, our main thing is the direction, the thoughts, thank you. [Lv Wenqiao]: Just a friend from the audience asked me to ask, in terms of design, have some of your designers tried some of the cost in the design process, or are you involved in the design? Very good works, the result is not produced? [Chen Yanfei]: I am very grateful to Bohua for organizing such an event. The finished products we are seeing now, in front of us, have visited many fabric manufacturers, and the craft manufacturers have visited and studied. In fact, the design draft I started is not the current one. Presented, it may be technically difficult to solve. At first, I found a sofa factory to cooperate with, but at the end of the discussion, there are many problems, because I personally never made the design of the sofa before, it is the design of solid wood, so Soft bag, sofa did not have a very deep understanding, especially the technical feasibility, this design eventually died, and finally I re-completed another design, which we are now seeing, using my personal familiar First, the solid wood frame plus the soft bag. So I feel that the communication in the industry suddenly finds it very important. I think that such a discussion is very valuable to designers. Chen Yanfei [Wu Zuoguang]: There are two points on the clue of the product. The first point is the beginning of a product that is touched by the designer. It is inspired by the inspiration of something, such as seeing a scene and seeing a material. Seeing a small animal, or a hug for the future, a feeling that is the beginning of a design. Then a product will eventually be presented to the user. At this time, there is a point. In the end, it is necessary to experience the product through various feelings, especially the fabric is a tactile sensation, a good touch, and a better one. The comfort, this feeling has not changed, is to use the human perception to feel things, the designer of the fabric thinks of an idea, the fabric can not bring this feeling, there will be different results. Another point of fabric is not in line with the rules of production, can not be made through mechanized production batches. Because traditional homes are crafts, the speed of communication is limited and cannot be shared. There is a very high technical content in the textile industry. What is behind the technical content is more enjoyment and more good feelings. So this time, Bohua organized this event, let us get in touch with the feelings of fabric dealers earlier, or the feelings of fabric dealers about life. We know this feeling in advance, we put this feeling into our works. Into a new thing. [Lv Wenqiao]: So, Mr. Novartis, how is your fabric designed? [Wang Xueyan]: We first raised the importance of fabric design from the entire company to a certain extent. In order to attach importance to the fact that we have a lot of actions, there should be three steps. First, we have the first word super at the beginning of the design. I said that the super is not copying, but surpassing the super. If it is just plagiarism, there will be many new ones in Milan. The product is back, but if you go beyond it, you should look at a lot of research reports, fashion trends, even go to Bahrain Fashion Week to study the trend of color, and the fusion of various materials, so the first step we have to be at the forefront Information resources. The second word is that the third step is that we are going to do it. In the process of doing it, we can basically say that 80% is trial and error, because we have a maximum of 20 products in each of the 100 products we developed. Constant trial and error. Therefore, a good product, a good fabric can be used by the designer for his inspiration, used in his concept, and finally the finished product is a very rare thing, thank you. [Lv Wenqiao]: Ask the designer, the most important element of design is to be different from others. To be innovative, but also to be realistic, to sell, to give manufacturers profit, then what methods do designers have to keep themselves innovative? What about the attitude? [Kong Wu]: Innovation I think first of all based on the experience of design, this experience is the past to do design services, or its own independent brand through many basic understanding, structure, materials, ergonomics I understand that with these basic things combined with my daily experience, I feel that I have the foundation of inspiration. Kong Wu [Wen Hao]: The fabric itself is also a design. When we choose a fabric, we can change the feeling of the product. Just like a person wearing different clothes can become another person, so we are very important in the design process. The innovative elements, fabrics are super, and transcendence is very important. As designers, we need elements. Fabric is one of our most important elements, so the design innovation of these fabrics becomes very important, including this time. When I came to do this design, I thought that first of all, the sofa show, the designer's activities interacting with the fabric companies, I think the focus is on the fabric, certainly not in form. I am thinking about two issues, what kind of fabric can be used for us.
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