17 years ago, Zhang began to try to use artificial stone and waste stone powder to make artificial stone decorative products. Nowadays, a large number of Chinese rebuilt stone decorations and art products created by him have spread all over Beijing's art galleries, museums, hotels, campuses, parks and Some other places in the country. Many architectural and art professionals believe that natural, earthy and green Chinese re-engineered stone will become one of the main materials for architectural decoration in the 21st century environmental era.
China's re-creation technology has effectively overcome the shortcomings of artificial stone materials in the past. China's re-created stone is synthesized with inorganic materials such as cement. It is imitation of stone, rich in texture and durability. It can be used to make reliefs, hollow sculptures, round sculptures, plastic stone and other imitation wood and imitation metal decorations.
What is more valuable is that on the basis of environmentally friendly materials, Zhang valuablely combines the simple art traditions, natural nature and contemporary environmental art thoughts of Chinese peasants and rural areas, and created a large number of Chinese re-created stone decorative artworks that fully reflect the characteristics of Chinese nationalities. . Now, including the relief of the external walls of the Ming Tombs Museum, the "Inspirations of Barcodes" displayed by Beijing International Sculpture Park, the "Dialogue" of the collection of the National Art Museum of China, the Chinese Qishi Pavilion Rockery, and the Fengzi Sculpture of the Confucius Institute of Qufu The charm of China's re-creation of stone art creation.
China's re-creation technology has effectively overcome the shortcomings of artificial stone materials in the past. China's re-created stone is synthesized with inorganic materials such as cement. It is imitation of stone, rich in texture and durability. It can be used to make reliefs, hollow sculptures, round sculptures, plastic stone and other imitation wood and imitation metal decorations.
What is more valuable is that on the basis of environmentally friendly materials, Zhang valuablely combines the simple art traditions, natural nature and contemporary environmental art thoughts of Chinese peasants and rural areas, and created a large number of Chinese re-created stone decorative artworks that fully reflect the characteristics of Chinese nationalities. . Now, including the relief of the external walls of the Ming Tombs Museum, the "Inspirations of Barcodes" displayed by Beijing International Sculpture Park, the "Dialogue" of the collection of the National Art Museum of China, the Chinese Qishi Pavilion Rockery, and the Fengzi Sculpture of the Confucius Institute of Qufu The charm of China's re-creation of stone art creation.
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